M.B. | 2016-02-24
“Nenhum trabalho meu poderia ter sido
realizado sem a inquietação no interior da História de Arte”.
Jeff Wall
História de arte:
Pré-história, Egipto, Grécia, Arte Romana, Arte Bizantina…Românico, Gótico,
Renascimento, Barroco, Neoclassicismo, Romantismo, Realismo oitocentista,
Simbolismo, Impressionismo
Século XX: Fauvismo, Cubismo, Expressionismo, Futurismo, Construtivismo,
Abstraccionismo, Dadaismo, Surrealismo, ismo, ismo, ismo… pós-modernismo?
Século XXI: super-hibridismo…!? (ver frieze, Sept. 2010)
Tate
Gallery, c. 2002:
History/Memory/Society – Mondrian, Dan Flavin, Rachel Whiteread, etc.
Nude/Action/Body – Matisse, Bruce Nauman, Tony Oursler, etc.
Landscape/Matter/Environment – Rothko, Richard Long, Joseph Beuys, etc.
Still Life/Object/Real Life – Oldenburg, Sarah Lucas, etc.
“Quase
todos os trabalhos de arte contemporânea autêntica recapitulam, de modo
explícito ou implícito, a sequência de objectos históricos a que pertencem. A
consciência dos precedentes tornou-se, praticamente, na condição e definição da
ambição artística séria. Por esse motivo, os artistas tornaram-se em ávidos
(embora imprevisíveis) consumidores de história de arte.”
Thomas Crow
“I was feeling guilty in the beginning; it
was frustrating to be successful when a lot of my friends weren’t. Also, I was
constantly being reminded of that by people in my family making jokes like,
«Oh, yes, she’s still just dressing up like she did when she was a kid», or «It
doesn’t take any brains to be doing what she’s doing». So I guess I was
thinking, maybe I am still just dressing up, because I don’t theorize when I
work. I would read theoretical stuff about my work and think, «What? Where did
they get that?» The work was so intuitive for me I didn’t know where it was
coming from. So I thought I had better not say anything or I’d blow it.”
Cindy
Sherman. In: Bright, Susan – Art Photography Now. London: Thames &
Hudson, 2006.
1
|
Piero
della Francesca, A Flagelação, c 1460
Douglas Gordon, List of Names, 1990-… , installation view
Giotto,
Legend of Saint Francis, Exorcism of the Demons at Arezzo, fresco,
1297-1300
Picasso, O reservatório, Horta de Ebro, 1909, óleo sobre tela, 60 x 50
cm
Duccio, Maestà, 1288-1300, tempera on wood, 31,5
x 22,5 cm
Picasso, A guitarra, 1913, papéis colados, etc.,
66,4 x 49,6 cm
Attic black-figured amphora from Vulci
(Greek), c. 525 BC
Picasso, Chute de Phaéton avec le Char du Soleil, 1930, eau-forte, 22 x
17 cm
Richard
Tuttle, Reservations, c. 2000
Queen Nefertari, Egypt
Matisse, Large Reclining Nude (Pink Nude), 1935, oil on canvas, 66 x 93
cm
Kara
Walker, Insurrection! (Our Tools Were Rudimentary, Yet We Pressed On),
2000, cut paper and projection on wall
“Walker became known for her panoramic friezes of cut-paper silhouettes,
usually black figures against a white wall, which address the history of
American slavery and racism through violent and unsettling imagery.”
Robert
Campin, Anunciação, c. 1430
Max Beckmann, The Dream, 1931
2
|
Symbol of St Mark, Anglo-Irish,
c. 700
Mondrian, Composition with Red, Blue, and Yellow, 1930, oil on canvas,
60 x 60cm
From the Album of the Conqueror, Sultan Mohammed II (Islamic), Turquia, séc. XV
Malevich, Suprematist Painting,
after 1920, oil on canvas
Peter Halley, Overtime, (c. década de 1980), Day-glo e acrílico
metalizado, acrílico, Roll-a-Tex sobre tela, 236 x 183 cm
3
|
Duchamp,
Sixteen Miles of String, at “First Papers of Surrealism”, 1942
Eva Hesse, Untitled (Rope Piece), 1970, latex, rope, etc., installation view
1972
Carolee
Schneemann, Up to and Including Her Limits, 1973-76, performance –
corda, lápis sobre papel, etc.
Pollock
at work on Number 32, 1950
Pollock,
Cathedral, 1947
Brice Marden, Cold Mountain 2, 1988-91, oil on linen, 274 x 365 cm
4
| Símbolos/sinais
Pintura rupestre, grutas de Lascaux,
França
Susan
Rothenberg, Butterfly, 1976, acrylic on canvas, 176,5 x 211 cm
Jean-Michel Basquiat, Um painel de
peritos, c. 1984 (?)
Pintura rupestre, Paleolítico
A. R. Penk, O que é a gravitação II, 1984, óleo sobre tela
5
|
Bronzino, Venus and Cupid, 1540-45, oil on
wood, 146 x 116 cm
Sue Williams, Your Bland Essence, 1992, acrylic and enamel on canvas, 150 x 170 cm
Sue Williams, Your Bland Essence, 1992, acrylic and enamel on canvas, 150 x 170 cm
Gustave
Courbet, L'origine du monde, 1866
Jason Rhoades, Tijuanatanjierchandelier, 2006, mixed media
installation
All the neons in Rhoades's 'tijuanatanjierchandelier' spell out slang names for
the female genitalia. It is all jolly, festive, mariachi obscenity. Above them
the words glow yoni, la chupa, alcachafa, and much besides: rude words,
mattresses, filth, startling candour, alarming confessions.
Manet,
Olympia, 1863, oil on canvas, 130 x 190 cm
Jean-Luc Moulène, Patris, Amsterdam, 03 04 04, 2004, Ilfochrome, 115 x
92 cm
6
| Alegoria
Pompeo
Batoni, Time orders Old Age to destroy Beauty, 1746
Cindy Sherman, Untitled #250, 1992, color print, 127 x 190,5 cm
Rubens,
The Consequences of War, 1637-38
Picasso, Guernica, 1937
(alegoria)… apropriação… montagem…
(citação)
“A mente alegórica selecciona arbitrariamente a partir do vasto e
desorganizado material que o conhecimento tem para oferecer. Ele tenta acertar
uma peça com outra para ver se podem ser combinadas. Este significado com
aquela imagem, ou aquela imagem com este significado. O resultado é
imprevisível, já que não existe mediação orgânica entre os dois.”
Walter Benjamin
Barbara Kruger, Untitled (I Shop Therefore I Am), 1987, Photographic silkscreen on vinyl
Martha Rosler, Bringing the War Home, House Beautiful, c. 1969-71,
colagem
7
| Dança
Two
Dancers, wall painting (Etruscan), c. 470 BC
Matisse, The Dance, 1931-33, oil on canvas, altura máx. 498 cm
Poussin,
Bacchanal before a Herm, c 1634, oil on canvas, 100 x 143 cm
Matisse, La Danse, 1909, óleo s tela, 260 x 390 cm
Otto Dix, Metrópole, 1927-28, painel central, 181 x 200 cm, técnica
mista, 181 x 200 cm
Phil
Collins, They Shoot Horses, 2004, vídeo, 2 canais, 7 horas (gravado em
Ramallah, Palestina).
They Shoot Horses (2004) consists of two videos, each lasting seven
hours and shown at the same time on different walls. This is a record of a
disco dance marathon staged by the artist with nine Palestinians in Ramallah.
Music from the last three decades is played and the young people are captured
in a single camera take, as they dance or, at times, stand round or slump to
the floor.
Sidney
Pollack, They Shoot Horses, Don't They?, 1969.
American drama film that focuses on a disparate group of characters desperate
to win a Depression-era dance marathon.
8
| Retrato de grupo
Rembrandt,
The Syndics of the Clothmaker's' Guild, 1661, oil on canvas, 191,5 x 279
cm
Bruno Pacheco, Happy Hour 2,
2005, óleo sobre tela, 173 x 300 cm
Gillian
Wearing, Sixty Minuts Silence, 1996, video projection, 60 min
Douglas
Gordon, List of Names, 1990-…
Antony
Gormley, Asian Field, 2006, clay,
installation view
9
| Retrato de família
Jan
Steen, The Bean Feast, 1668
Max Beckmann, Family Picture, 1935, óleo sobre tela, 65 x 101 cm
Adolf Wissel, Kalenberg Farmes
Family, 1939, óleo sobre tela, 150 x 200 cm
Otto Dix, Os pais do artista, 1924, óleo sobre tela, 118 x 130,5 cm
Duane
Hanson, Tourists II, 1988, fiberglass and mixed media, life size
Janine Antoni, Mom and Dad, 1993-94,
cibachrome prints, tríptico, cada foto 61 x 50,8 cm
Richard
Billingham, Dinner
Richard Billingham, Fist
Richard Billingham, Shirts
Richard Billingham, Untitled, 1995, color photograph, aprox. 100 x 155 cm
Gillian
Wearing, Sacha and Mom, 1996, video stills
Gregory
Crewdson, Untitled (from the series Twilight), 1998-2002, digital c-type print,
122 x 152,4 cm
Charles
Ray, Family Romance, 1993, 135 x 216 x 28 cm
Stanley
Spencer, Double Nude Portrait (The Artist and his Second Wife), 1937,
óleo s/ tela, 83,8 x 93,6 cm
Rembrandt,
The Jewish Bride, 1667
Richard
Billingham, Untitled, 1995
Felix
Gonzalez Torres, Untitled (Perfect Lovers), 1987-90, 2 relógios
10
| Epílogo
Vénus
de Willendorf, c. 15000-10000 AC
Louise Bourgeois, Fillette, 1968, gesso e latex, 60 x 27
x 20 cm
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